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In 1940, he was given the leading role in Rodgers and Hart's Pal Joey, again choreographed by Robert Alton, and this role propelled him to stardom.
Assistants carried her to her dressing room, and doctors put her on bed rest for two days.
When Alton moved on to choreograph One for the Money he hired Kelly to act, sing and dance in a total of eight routines.
His first career breakthrough was in the Pulitzer Prize-winning The Time of Your Life, which opened on November 11, 1939, where for the first time on Broadway he danced to his own choreography.
"Gene always said, 'You choreograph to the woman,' so he choreographed to Debbie's capabilities.... It was the early 1950s, and I was an innocent kid who had never been French-kissed. I was stunned that this thirty-nine-year-old man would do this to me.' During dance rehearsals, she once ducked into one of MGM's rehearsal rooms and sat under a piano crying. If you're not sweating, you're not doing it right." Though it's reported that Reynolds eventually took a perspective of gratitude for everything Kelly had put her through, because it made her a better performer, the exacting director later admitted, "I wasn't very nice to Debbie.
You want your partner to look the best he or she can possibly look. Another legendary dancer, Fred Astaire, then in his early 50s, was the one to comfort her.